Bankeri | NOTHING BUT FLOWERS
Curated by Valentina Luzi | In collaboration with EMMEOTTO ARTE
Opening September 18th 2019 h 7 pm
RELAIS RIONE PONTE | ROMA
Via Giuseppe Zanardelli, 20 – 00186
        (only by appointment)
Relais Rione Ponte, in collaboration with Emmeotto gallery, inaugurates  the 2019/2020 exhibition season with the new layout of the spaces that will be  divided between suites and rooms, which will host works by the artists of the  previous exhibitions and of the permanent collection of the Relais (Barbara Salvucci, Renzo Bellanca, keziat, Desiderio and Andreas Senoner) to confirm the continuity of the artistic project  carried out in recent years, and the common areas that will see temporary  exhibitions alternating.
        
Protagonist of the new spatial (di)vision is the  artist Bankeri with the personal show Bankeri - Nothing but Flowers which opens on Wednesday 18th of September 2019 at  7.00 pm.
As one can deduce, this is an exhibition which  speaks of flowers, despite a certain ironic approach, right from the title. On  display new works produced by Bankeri for the exhibition and a foray from the  past, in which the subject in question was already present. The common paradigm  is characterized by the treatment of the forms and the mastery of the matter  brought to a level of maturity and mastery such as to allow the artist to have  fun articulating between papers and canvases, colors from the most different  tones to fluorescent, serigraphy and overlapping at multiple levels of physical  and mental elements, in a continuous contamination.
The flowers were among the undisputed  protagonists of the history of art, sometimes considered the second class  genre, as a still life, some other times analyzed only with  encyclopedic-scientific or decorative intent, but one thing is certain, their  formal and color diversity have been one of the privileged grounds of  experimentation of the greatest artists and at the conceptual level they have  always represented the synonym of the transience of existence, the making and  unmaking of Nature, the eternal dichotomy between beginning and end, the  precariousness of the human condition ... a not easy role! In fact, if on the  one hand the flowers are bearers of life, of the blossoming of the new while on  the other, they are destined to decomposition, to represent the conclusion, as  it is in every cycle of existence. The flower, strong in its full beauty, is a  momentary temporal piece, the metaphorical passage in reality, as temporary and  destined for a short time it is the stay of the guests in the Relais,  travellers between one stage and another, between arriving and leaving ... same  it is the life of all living beings. So what does art do to freeze the passage  of time? To make real the illusion of beauty destined to get lost? It makes a  moment eternal, it stops the image of a subject and gives us the enjoyment of  it forever. This contradictory meaning it is conveyed by nothing but flowers,  something apparently simple, fragile but with an universal essence. The  aesthetic impact of Bankeri's works, vibrating and engaging, makes this process  light and intoxicating, absolutely contemporary and captivating. Despite the  technical complexity and the presence of color in the foreground, no element is  heavy or redundant. This small private garden, which unfolds among the rooms of  the Relais, becomes the locus amoenus of our days, a place to live the time of  the artistic experience, involved by that synaesthetic approach that only  Bankeri's works can give and you want to take away some of that feeling and  continue to cultivate it elsewhere, in your own space, in your own passage.
Relais Rione Ponte has always set itself as a  mission the sharing between hospitality and contemporary art in an immersive  dimension - and which symbol best represents the concept of hospitality, if not  the flower? - therefore, the exhibition is the opportunity and the pretext to  create that visual and emotional interaction between exhibited works and guests  who will spend, within the spaces set up, the time of their stay between ...  Nothing but Flowers.
Bankeri  (Francesco Bancheri) lives and works in Rome. After his artistic high school  diploma at the 1st artistic high school in via Ripetta he graduated from the  Academy of Fine Arts in Rome in Scenography in 2001, deepens his interest in  photography and also works as a set designer in different sectors; in the  theatre, in particular, in 2005 he signs the scenes for the Italian edition of  the show "Concha Bonita" with the music of the Oscar Prize Nicola  Piovani. Much of his research focuses on the transformation of the induced  visual message, especially the media one. Newspapers reduced to clippings are  brought back to their reality of signs, textures and colors to be used as  pictorial medium through the collage technique. Bankeri fragments, cuts, glues,  tears, transforming newspapers, posters etc. in something imaginative, of  "different", in which any reference to the "forced" message  disappears.
Among the experiences of 2019, the setting up of  the Black Room of the Macroasilo in Rome with the DreamOn / DreamOff project;  participation in the group shows "The labyrinth of the gaze" at the  Palazzo Nicolaci di Noto Gallery (Sr), "Introspective Window" at the  Emmeotto Gallery in Rome, "Microcosmo" at the Palazzo Doria Pamphilj  Museum in Valmontone (Rm); the residence at the Macroasilo of Giorgio de Finis  in December 2018 at the Macro Museum of Rome; the presence in 2017 in the  collection of the BoCs Art Museum of Cosenza curated by Alberto Dambruoso following a residence project; in 2016 he took  part in the "Mezzagalera" project curated by Giorgio de Finis, a  project of artistic residence in the former prison of Montefiascone (VT)  Mezzagalera artists residence; in 2015 he took part in "INSIEME", the  work created by the Maam artists at Cittadellarte - Fondazione Pistoletto in  Biella; for Metropoliz's Museum of the Other and Elsewhere, in 2014 it produced  a series of large-format wall collages. His works are included in the permanent  collection of the DIF, the widespread museum of Formello, which also hosted the  solo exhibition of the artist "Panem et Circenses" in June 2016. 
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